These days empathy has become a shortcut. It has become a way to experience delicious moral emotions without confronting the weaknesses in our nature that prevent us from actually acting upon them. It has become a way to experience the illusion of moral progress without having to do the nasty work of making moral judgments. In a culture that is inarticulate about moral categories and touchy about giving offense, teaching empathy is a safe way for schools and other institutions to seem virtuous without risking controversy or hurting anybody’s feelings.
THIS IS MY SCRAPBOOK, MY BLOG, MY RANT RAG AND POET'S CORNER. ADDITIONALLY, AN IMPORTANT FUNCTION OF THIS BLOG IS THAT IT ALLOWS ME TO STORE LECTURES AND TALKS WHICH I FIND NECESSARY NEARBY FOR REFERENCE.
Friday, September 30, 2011
The Limits of Empathy
By DAVID BROOKS
These days empathy has become a shortcut. It has become a way to experience delicious moral emotions without confronting the weaknesses in our nature that prevent us from actually acting upon them. It has become a way to experience the illusion of moral progress without having to do the nasty work of making moral judgments. In a culture that is inarticulate about moral categories and touchy about giving offense, teaching empathy is a safe way for schools and other institutions to seem virtuous without risking controversy or hurting anybody’s feelings.
These days empathy has become a shortcut. It has become a way to experience delicious moral emotions without confronting the weaknesses in our nature that prevent us from actually acting upon them. It has become a way to experience the illusion of moral progress without having to do the nasty work of making moral judgments. In a culture that is inarticulate about moral categories and touchy about giving offense, teaching empathy is a safe way for schools and other institutions to seem virtuous without risking controversy or hurting anybody’s feelings.
Sunday, September 25, 2011
Music for the Second Great Depression -- What Goes Around Comes Around
Watching this group is like going down memory lane. It is music to counter the times. Think of:
The Year: 1933
The Place: Berlin
The Music: Jazz
The Milieu: The Great Depression
The Venue: Cabaret
The Year: 1933
The Place: Berlin
The Music: Jazz
The Milieu: The Great Depression
The Venue: Cabaret
Thursday, September 22, 2011
Neutrinos Exceed Speed of Light
Lab Claims Faster-Than-Light Particle
By THE ASSOCIATED PRESS
Published: September 22, 2011 at 3:49 PM ET
GENEVA (AP) — A pillar of physics — that nothing can go faster than the speed of light — appears to be smashed by an oddball subatomic particle that has apparently made a giant end run around Albert Einstein's theories.
Scientists at the world's largest physics lab said Thursday they have clocked neutrinos traveling faster than light. That's something that according to Einstein's 1905 special theory of relativity — the famous E (equals) mc2 equation — just doesn't happen.
"The feeling that most people have is this can't be right, this can't be real," said James Gillies, a spokesman for the European Organization for Nuclear Research. The organization, known as CERN, hosted part of the experiment, which is unrelated to the massive $10 billion Large Hadron Collider also located at the site.
Gillies told The Associated Press that the readings have so astounded researchers that they are asking others to independently verify the measurements before claiming an actual discovery.
"They are inviting the broader physics community to look at what they've done and really scrutinize it in great detail, and ideally for someone elsewhere in the world to repeat the measurements," he said Thursday.
Scientists at the competing Fermilab in Chicago have promised to start such work immediately.
"It's a shock," said Fermilab head theoretician Stephen Parke, who was not part of the research in Geneva. "It's going to cause us problems, no doubt about that — if it's true."
The Chicago team had similar faster-than-light results in 2007, but those came with a giant margin of error that undercut its scientific significance.
Other outside scientists expressed skepticism at CERN's claim that the neutrinos — one of the strangest well-known particles in physics — were observed smashing past the cosmic speed barrier of 186,282 miles per second (299,792 kilometers per second).
University of Maryland physics department chairman Drew Baden called it "a flying carpet," something that was too fantastic to be believable.
CERN says a neutrino beam fired from a particle accelerator near Geneva to a lab 454 miles (730 kilometers) away in Italy traveled 60 nanoseconds faster than the speed of light. Scientists calculated the margin of error at just 10 nanoseconds, making the difference statistically significant. But given the enormous implications of the find, they still spent months checking and rechecking their results to make sure there was no flaws in the experiment.
"We have not found any instrumental effect that could explain the result of the measurement," said Antonio Ereditato, a physicist at the University of Bern, Switzerland, who was involved in the experiment known as OPERA.
The researchers are now looking to the United States and Japan to confirm the results.
A similar neutrino experiment at Fermilab near Chicago would be capable of running the tests, said Stavros Katsanevas, the deputy director of France's National Institute for Nuclear and Particle Physics Research. The institute collaborated with Italy's Gran Sasso National Laboratory for the experiment at CERN.
Katsanevas said help could also come from the T2K experiment in Japan, though that is currently on hold after the country's devastating March 11 earthquake and tsunami.
Scientists agree if the results are confirmed, that it would force a fundamental rethink of the laws of nature.
Einstein's special relativity theory that says energy equals mass times the speed of light squared underlies "pretty much everything in modern physics," said John Ellis, a theoretical physicist at CERN who was not involved in the experiment. "It has worked perfectly up until now."
He cautioned that the neutrino researchers would have to explain why similar results weren't detected before.
"This would be such a sensational discovery if it were true that one has to treat it extremely carefully," said Ellis.
FOLLOW UP OCTOBER 30, 2011 (New York Times)
Scientists at the world's largest physics lab said Thursday they have clocked neutrinos traveling faster than light. That's something that according to Einstein's 1905 special theory of relativity — the famous E (equals) mc2 equation — just doesn't happen.
"The feeling that most people have is this can't be right, this can't be real," said James Gillies, a spokesman for the European Organization for Nuclear Research. The organization, known as CERN, hosted part of the experiment, which is unrelated to the massive $10 billion Large Hadron Collider also located at the site.
Gillies told The Associated Press that the readings have so astounded researchers that they are asking others to independently verify the measurements before claiming an actual discovery.
"They are inviting the broader physics community to look at what they've done and really scrutinize it in great detail, and ideally for someone elsewhere in the world to repeat the measurements," he said Thursday.
Scientists at the competing Fermilab in Chicago have promised to start such work immediately.
"It's a shock," said Fermilab head theoretician Stephen Parke, who was not part of the research in Geneva. "It's going to cause us problems, no doubt about that — if it's true."
The Chicago team had similar faster-than-light results in 2007, but those came with a giant margin of error that undercut its scientific significance.
Other outside scientists expressed skepticism at CERN's claim that the neutrinos — one of the strangest well-known particles in physics — were observed smashing past the cosmic speed barrier of 186,282 miles per second (299,792 kilometers per second).
University of Maryland physics department chairman Drew Baden called it "a flying carpet," something that was too fantastic to be believable.
CERN says a neutrino beam fired from a particle accelerator near Geneva to a lab 454 miles (730 kilometers) away in Italy traveled 60 nanoseconds faster than the speed of light. Scientists calculated the margin of error at just 10 nanoseconds, making the difference statistically significant. But given the enormous implications of the find, they still spent months checking and rechecking their results to make sure there was no flaws in the experiment.
"We have not found any instrumental effect that could explain the result of the measurement," said Antonio Ereditato, a physicist at the University of Bern, Switzerland, who was involved in the experiment known as OPERA.
The researchers are now looking to the United States and Japan to confirm the results.
A similar neutrino experiment at Fermilab near Chicago would be capable of running the tests, said Stavros Katsanevas, the deputy director of France's National Institute for Nuclear and Particle Physics Research. The institute collaborated with Italy's Gran Sasso National Laboratory for the experiment at CERN.
Katsanevas said help could also come from the T2K experiment in Japan, though that is currently on hold after the country's devastating March 11 earthquake and tsunami.
Scientists agree if the results are confirmed, that it would force a fundamental rethink of the laws of nature.
Einstein's special relativity theory that says energy equals mass times the speed of light squared underlies "pretty much everything in modern physics," said John Ellis, a theoretical physicist at CERN who was not involved in the experiment. "It has worked perfectly up until now."
He cautioned that the neutrino researchers would have to explain why similar results weren't detected before.
"This would be such a sensational discovery if it were true that one has to treat it extremely carefully," said Ellis.
FOLLOW UP OCTOBER 30, 2011 (New York Times)
Physicists, in the meantime, have been flooding arXiv.org, the physics Internet archive, with papers debunking the Opera experiment and defending Einstein. In one paper, two professors from Boston University, Andrew G. Cohen and the Nobelist Sheldon L. Glashow, showed that if the neutrinos had been going faster than light en route to Gran Sasso, they would have lost energy at a fearsome rate by emitting other particles, causing distortions in the beam that were not seen by Opera.
Another paper — by Gian Giudice of CERN, Sergei Sibiryakov of the Institute for Nuclear Research in Moscow and Alessandro Strumia of the University of Pisa in Italy and the National Institute of Chemical Physics and Biophysics in Tallinn, Estonia — argued that according to the Standard Model, the reigning theory in particle physics, if neutrinos could violate relativity, electrons should violate it also, something that has also not been observed.
Last week, in what sounded like the coup de grâce in some circles, Ronald A. J. van Elburg, an artificial intelligence researcher at the University of Groningen in the Netherlands, suggested that the Opera group had failed to make a relativistic correction for the motions of the GPS satellites used in timing the neutrino beams. The resulting error, he said, amounted to 64 nanoseconds, almost exactly the universe-shaking discrepancy the Opera researchers were hoping to explain.
That paper got wide attention. It was mentioned on a physics blog of the magazine Technology Review, and was published by the Massachusetts Institute of Technology and other news sites around the Internet as a possible explanation of the neutrino mystery. “If it stands up, this episode will be laden with irony,” Technology Review wrote. Far from breaking Einstein’s relativity, it went on, “the faster-than-light measurement will turn out to be another confirmation of it.”
The Opera collaborators and other outside physicists now say Dr. van Elburg’s analysis is wrong and reflects confusion about how GPS systems work.
In an e-mail, Antonio Ereditato, a spokesman for Opera, said the paper did have some errors, but he declined to go into details. “You understand well that we cannot reply to anybody claiming to have an explanation of our result in terms of trivial mistakes,” he said.
Reached in Groningen, Dr. van Elburg said that an improved version of his manuscript was now under peer review.
John Learned, a neutrino physicist at the University of Hawaii, wrote in an e-mail that while the Opera results might not be right, “they are still not easily dismissed.”
“It is very unlikely to me that any distant observer will point out the error of their ways,” he continued. “If a screw-up, it is probably in the details not accessible to outsiders.”
Tuesday, September 20, 2011
FOR ME LISTING TO THIS SONG IS A VERY EMOTIONAL EXPERIENCE
IN A PERFECT WORLD YOU PAY THE CONSEQUENCES FOR YOU DEEDS. THIS IS NOT A PERFECT WORLD. WE HAVE WAGED ALMOST CONSTANT WAR FOR THE PAST FORTY-FIVE YEARS AND THE COST IS THE SECOND GREAT DEPRESSION. THE AMERICAN PEOPLE WILL BE ASKED TO PAY FOR THIS EVIL BY COMMITTING MORE EVILL THAT IS, WE WILL BE ASKED TO CUT THE FUNDS TO EDUCATE OUR CHILDREN, CUT THE FUNDS FOR THE NATIONS HEALTH AND TO CUT THE FUNDS FOR THE OLD AND WEAK. AND GOD FORBID, LET US NOT ASK THE SUPER RICH TO PAY MORE; WE SHOULD NOT REQUIRE THE PROFITEERS TO PAY MORE.
WE WILL CONTINUE THIS PROCESS FOR THE INDEFINITE FUTURE BECAUSE WE AS A NATION APPEAR INCAPIBLE OF LEARNING FROM EXPERIENCE AND THERE REMAINS A TRAGIC SELFISH TRAIT IN TOO MANY OF US TO DO THE RIGHT THING.
Monday, September 19, 2011
Tone Poems
The Greeks had a word for it: ΜΟΥΣΙΚΗ (mousike), which not only meant the discipline of music, but also encompassed poetry, dance, and elementary education. The ancients believed that reaching the center of human emotion through language was similar to the methods employed in music. Just as poetry has distinctly musical devices — such as alliteration, assonance, meter, and onomatopoeia — music has its evocative techniques, including harmony, modulation, repetition, rhythm, and the manipulation of tone color. Music has long been used as a descriptive medium, but it was only during the 19th century that forms were devised to showcase the story-telling qualities of what had been largely an abstract discipline in the Baroque and Classical eras.
Pictures at an Exhibition By Modest Mussorgsky
Bedrich Smetana Vltava
Pictures at an Exhibition By Modest Mussorgsky
Bedrich Smetana Vltava
Sunday, September 18, 2011
Saturday, September 17, 2011
The Beautiful Voice of Nina Simone
My Friends,
It is a misstatement to refer to Nina Simone's voice as beautiful. Because the word "beautiful" does not do that magnificent low smoth instrument justice. Her voice has the tone and quality of a fine clarinet. Her strong musical presence went from jazz to classical and was truly accomplished in most vocal venues as well as the piano.
Nina passed away a victum of breast cancer.
If you are not familiar with this woman's talent please sample one or all of her songs that I have included here. I hope you find her talent to your liking.
David
Here Comes The Sun
House of the Rising Sun
I Loves You, Porgy
Baltimore (The Wire)
Thursday, September 15, 2011
Look And What Do You See?
If you look and you do not have to look too hard, you can find beauty in the shapes, cuts and colors of natural things. The choice is up to the individual, one can view beauty or one can view just stuff.
Look one time and the object reveals itself one way. Look again and it looks beautiful but in a different way. So it is with nature, with art and with music.
Look one time and the object reveals itself one way. Look again and it looks beautiful but in a different way. So it is with nature, with art and with music.
Wednesday, September 14, 2011
Tuesday, September 13, 2011
Physics, Positivism, and Early .Wittgenstein
http://www.youtube.com/watch?v=ExkKsBNeSr4&feature=relatedhttp://www.youtube.com/watch?v=ExkKsBNeSr4&feature=related
Philosophy of Science
What is the role of a philosopher of science?
(Link to Video)
David Albert: Well, I think that philosophy of science is at its best and at its most exciting at historical moments when it's not so easy to distinguish between the activities of certain kinds of theoretical physicists and the activities of certain kinds of philosophers. Philosophy of science, I think -- or at least -- well, let me back up a bit. There's -- philosophy of science can be divided roughly into two different kinds of activities. One is an activity of raising and investigating general philosophical questions about what science is, about whether the claims of science have some kind of privileged epistemic access to the world, can be justified, attempts to systematize how science reasons, attempts to raise questions about whether we should trust the conclusions of science, so on and so forth. These are very broad, very traditionally philosophical kinds of issues.
There's another branch of philosophy of science that takes up questions that arise within particular scientific theories -- the theory of evolution, the theory of relativity, quantum mechanics, so on and so forth, and actually gets its hands dirty in the details of the structure of these scientific theories in order to try to help with problems that are often essentially scientific problems, but whose solution calls for an unusual degree of sensitivity to philosophical questions. It's the second kind of work that my own work has mostly been, and it's the second kind of work that one refers to when one refers to the foundations of physics. There are problems about the logical structure of physics, about the foundational assumptions that physics makes. Whether these problems properly belong to physics or they properly belong to philosophy when the field is healthy isn't much of an issue.
In my own case, my Ph.D. was in theoretical physics. I was a professor in physics departments before being a professor in philosophy departments. When I write a paper now, my rule is that if at the end it has more than two equations in it, I send it to a physics journal, and if it has less than two, I send it to a philosophy journal, and there's not much more of a distinction than that. When I attend conferences where people are discussing the kinds of questions that I'm interested in, about half of the people speaking at these conferences are employed in physics departments, and half are employed in philosophy departments, and it's not particularly easy to tell by listening to their talks what sort of department they're employed in. So philosophy of science, like I say, when it's healthy, is a matter of focusing with a certain level of philosophical sensitivity and sophistication on questions at the foundations of physics.
(Link to Video)
David Albert: Well, I think that philosophy of science is at its best and at its most exciting at historical moments when it's not so easy to distinguish between the activities of certain kinds of theoretical physicists and the activities of certain kinds of philosophers. Philosophy of science, I think -- or at least -- well, let me back up a bit. There's -- philosophy of science can be divided roughly into two different kinds of activities. One is an activity of raising and investigating general philosophical questions about what science is, about whether the claims of science have some kind of privileged epistemic access to the world, can be justified, attempts to systematize how science reasons, attempts to raise questions about whether we should trust the conclusions of science, so on and so forth. These are very broad, very traditionally philosophical kinds of issues.
There's another branch of philosophy of science that takes up questions that arise within particular scientific theories -- the theory of evolution, the theory of relativity, quantum mechanics, so on and so forth, and actually gets its hands dirty in the details of the structure of these scientific theories in order to try to help with problems that are often essentially scientific problems, but whose solution calls for an unusual degree of sensitivity to philosophical questions. It's the second kind of work that my own work has mostly been, and it's the second kind of work that one refers to when one refers to the foundations of physics. There are problems about the logical structure of physics, about the foundational assumptions that physics makes. Whether these problems properly belong to physics or they properly belong to philosophy when the field is healthy isn't much of an issue.
In my own case, my Ph.D. was in theoretical physics. I was a professor in physics departments before being a professor in philosophy departments. When I write a paper now, my rule is that if at the end it has more than two equations in it, I send it to a physics journal, and if it has less than two, I send it to a philosophy journal, and there's not much more of a distinction than that. When I attend conferences where people are discussing the kinds of questions that I'm interested in, about half of the people speaking at these conferences are employed in physics departments, and half are employed in philosophy departments, and it's not particularly easy to tell by listening to their talks what sort of department they're employed in. So philosophy of science, like I say, when it's healthy, is a matter of focusing with a certain level of philosophical sensitivity and sophistication on questions at the foundations of physics.
Wednesday, September 7, 2011
They Were the Mellow Days
My liking of popular music can be charted on a graph as a bell shaped arrow of time peaking in the 1960s and encased in amber. Never before this period and seldom after has my liking or love of a special type of popular music (Rock & Roll) been so profound.
By the late 1960s rock was widely regarded as an important musical form. Musicians such as Miles Davis and John McLaughlin and groups like Traffic or Blood, Sweat, and Tears tried to fuse rock and jazz, while such disparate artists as Leonard Bernstein and Frank Zappa attempted to connect rock and classical music. Groups featuring virtuoso guitarists such as Jimi Hendrix, Eric Clapton, Duane Allman, and Jimmy Page continued to perform variations on classic blues themes using the traditional instruments of rock 'n' roll.
Just Click On the Title To Listen And To Remember!!!
Creedence Clearwater Revival - Fortunate Son
California Dreamin'
Jefferson Airplane Grace Slick -White Rabbit-
Light My Fire - The Doors
Don McLean American Pie Tribute Video - Buddy Holly
Sherry Darlin'- Bruce Springsteen & Clarence Clemons
Clarence Clemons passed away this year. He will be missed!!
the beatles/ in my life
Sugar Sugar
Roy Orbison, Bruce Springsteen, Jackson Browne, Elvis Costello, Tom Waits, T Bone Burnett & J D Souther - Oh Pretty Woman Live, 1987
Simon & Garfunkel - The Sound of Silence - Madison Square Garden, NYC - 2009
Bob Dylan, Roger McGuinn, David Crosby perform Mr. Tambourine Man live.
Angie - The Rolling Stones
Iron Butterfly-In-A-Gadda-Da-Vida FULL SONG NO BREAKS
CCR - Bad Moon Rising
Looking Out My Back Door - Creedence Clearwater Revival
Monday, September 5, 2011
Saturday, September 3, 2011
Subscribe to:
Posts (Atom)